Art
The AI Revolution: An Interview with Boris Eldagsen on Winning (and Refusing) the Sony World Photography Award
"I see the downsides of AI, I see the problems for democracies [...] but at the same time, as an artist taking this as a reality, it is something I just love doing."—Boris Eldagsen, in our interview on his winning (and refusing) a prize for his AI-generated art at the SWPA.
Mind + Emotion
Who Owns Your Memories? A review of Olga Bubich's photobook The Art of (Not) Forgetting
Olga Bubich’s self-published book, The Art of (Not) Forgetting, brings together emotionally potent memories of around thirty Belarussians, collected through interviews. Through personal stories, the author interrogates individual and collective memory.
Society
A Determination to Co-Produce: An Interview with Anthony Luvera
"What gives me the right to be able to do this? And, what gives me the right to be able to go about it in the way that I expect to go about it?"—Anthony Luvera, in our interview about about collaborative process and his co-created book, Frequently Asked Questions.
Work
The Means of Production: An Interview with Evan Baden Changing the equation on book publishing with DIY
"Having all the equipment means there's nothing that's farmed out—I do everything. That makes it quite financially feasible."—Evan Baden, on his DIY book press.
Sci-Tech
The AI Revolution: An Interview with Boris Eldagsen on Winning (and Refusing) the Sony World Photography Award
"I see the downsides of AI, I see the problems for democracies [...] but at the same time, as an artist taking this as a reality, it is something I just love doing."—Boris Eldagsen, in our interview on his winning (and refusing) a prize for his AI-generated art at the SWPA.
Inspiration
"By and large the photography world tends to be left leaning, and the natural inclination of those in it is often to associate with those they see as being at the bottom of the heap rather than those at the top. That may partly explain the lack of willingness by many of the industry’s gatekeepers to acknowledge the power they hold because to do so involves recognising that they are part of the same groups that they might have spent much of their career imagining themselves arrayed against."
- Lewis Bush, from At the Gates of Photography
- Lewis Bush, from At the Gates of Photography